This house for an art collector is part private gallery, part residence. The architectural design takes its cues from classic Italian villas in feel and materiality while asserting an aggressively minimal aesthetic. L+U designed the electric lighting to complement the daylighting while providing flexible configurations for future placement of art. The high-color rendering, high-efficiency LED track fixtures are juxtaposed by diffuse and reflected light from coves and decorative fixtures. The daylighting balances the desire for a direct connection to the exterior with conservation of fragile art pieces. Using research-grade light simulations, we predicted the average annual lux-hours, a measure of both duration and quantity of light on the art. This helped the owners understand where specific art pieces could be placed along with aiding the architects with designing appropriate shading for the windows.

The skylit gallery at the heart of the building uses a multi-layered fabric skylight with hidden asymmetric fixtures aimed to wash across the fabric.

The curving entry foyer is set off against the gallery and sitting room.

Physically accurate simulations showing the different light layers in one room of the house allowed to show the architect and client the exact contribution of different light sources.

Trimless monopoints were fitted with next-generation LED spots that produce full spectrum light with minimal UV. Beam spreads were calibrated for individual works for art.

Light from the sky washes across surfaces and is the primary source of illumination during daylight hours. We calculated the annual lux-hours of exposure for critical pieces with conservation concerns.

Spheres, cones, and cylinders of varying radii create intersecting voids and volumes for the play of light.

Lighting was choreographed so that shadows and highlights create a luminous figure / ground at the intersection of art, surface, and volume.